作者简介
Berthe MARTINIE (1883 - 1958)
The painter and sculptor Berthe Martinie was born in 1883 in Nérac (Lot-et-Garonne) and died in Paris in 1958. From 1906 to 1908, she studied at the Ecole des Beaux-Arts of Paris under the painter Humbert, who ran the only studio open to women. In 1913, she married the journalist and art-critic Henri Martinie, who supported her throughout her career, though World War I and the birth of her children interrupted her production for several years.
Her work took a dramatic turn at the end of the 1920s, when she decided to concentrate fully on sculpture; it was a choice that made her reputation. Self-taught in the medium, she quickly mastered the techniques of modeling and carving, and befriended the sculptors Robert Wlérick, Jean Carton, and Paul Cornet as well as critics such as Claude Roger-Marx. She also participated in various salons, including the Salon d’Automne and the Salon des Tuileries in Paris; it was at the 1933 Salon des Tuileries that the State purchased her Doe and her Bull. She also took part in the Universal Expositions in Paris in 1937 and in Brussels in 1958, and in group exhibitions in galleries and institutions in France, including the Museum of the Petit Palais and the Rodin Museum, and abroad in the United States, Italy, Holland, Sweden, and South America. After her 1925 solo exhibition at Weil’s, she had regular one-woman shows in Parisian galleries.
Her search for truth, her generous and passionate personality, her diligence, and her artistic principles all drew her to the group of independent figurative sculptors. Like her contemporary Jane Poupelet, her favorite subjects were the female nude and animals, and in 1949, the State commissioned a Boar from her for Wilson Park in Thionville and various reliefs for the large cat house in Paris’ Jardin des Plantes. In the center of her era’s art world, appreciated by critics and well-represented in private and public collections, she is unjustly forgotten today.
用谷歌翻译了一下，基本能看懂
画家和雕塑家Martinie伯特在NERAC（洛特 - 加龙省）出生于1883年，在巴黎去世于1958年，从1906年到1908年，她师从画家亨伯特，谁跑下就读于巴黎的巴黎高等美术学院研究只对女性开放。 1913年，她嫁给了记者和艺术评论家亨利·Martinie，谁支持她的整个职业生涯中，虽然第一次世界大战和她的孩子的诞生打断了她生产了好几年。
她的作品在了上世纪20年代，当她决定完全专注于雕塑的最后一个戏剧性的转变;这是使她名声的选择。自学在中，她很快掌握建模和雕刻技术，并结识了雕塑家罗伯特Wlérick让纸箱，保罗科内特以及批评家如克劳德·罗杰·马克思。她还参加各种沙龙，包括秋季沙龙和沙龙des Tuileries花园巴黎;它是在1933年的沙龙des Tuileries花园，该国购买她的母鹿和她的公牛。她还参加了环球博览会在巴黎于1937年，在布鲁塞尔于1958年，并在画廊和机构群展在法国，包括小皇宫博物馆和罗丹博物馆，和国外在美国，意大利，荷兰，瑞典和南美洲。她1925年个展韦尔年代后，她经常一个女人的展示巴黎的画廊。
她寻求真理，她的慷慨和热情奔放的性格，她的勤奋，她的艺术原则，把她拉到组独立的具象雕刻家。像她这样的当代Poupelet简，她最喜欢的科目是女性裸体和动物，并在1949年，国家委托野猪从她的威尔逊公园在波兰及各种浮雕在巴黎植物园大猫屋。在她的中心是艺术的世界里，评论家和在私人和公共收藏很好地表示赞赏，她今天不公正遗忘。
